Since the last time I did this list there have been more films set in the Marvel Cinematic Universe so I saw fit to update that list ahead of the imminent release of the long awaited Avengers: Infinity War. I’ve altered some of the text on the entries that belonged to the previous list where relevant but on the whole my thoughts are more or less the same so there was no need to rewrite everything.

For the films I previously reviewed you can find those reviews hyperlinked and links to any associated podcast will appear in the body of the blurb I’ve written about them. Now that the housekeeping is out of the way let’s get on with the list that goes from worst to best:

Iron Man 3

It’s no contest, this is by far the worst of the Marvel movies for me so far. Everything was looking great in the trailers and other marketing with Ben Kingsley’s chilling performance as long time Iron Man villain The Mandarin but the end result left a lot to be desired.

The first half of the film starts out really well with Tony Stark coming apart at the seams after his experiences in The Avengers. He has developed an anxiety disorder and is furiously building more and more Iron Man suits in preparation for a threat that he feels is coming. The Mandarin seems like a credible threat and it all seems to be building to something really interesting.

Once the -admittedly well hidden- twist is revealed everything starts to go downhill. Having the Mandarin be an actor presenting the image of a terrorist threat is a moronic twist that I can never support. It’d be like if in The Dark Knight the Joker turned out to be a failed circus clown hired by criminals to cover up what they were doing. As far as I’m concerned this twist does a disservice to the character of the Mandarin.

Not only that but the anxiety disorder completely disappears and the film culminates in an action climax that is a mess of flying metal. So much potential completely wasted in this film.

Thor

Thor’s first solo outing is a bit of a disappointment for a variety of reasons. It starts off really strongly with a look into Thor’s life in Asgard as he is about to be crowned King by his father Odin. Asgard looks amazing and Chris Hemsworth’s Thor is definitely very arrogant but in a charming sort of way.

After the point he disobeys his father and is punished by being sent to Earth without his powers it goes downhill. I just found much of the story on Earth to be really boring with endless scenes showing how out of place Thor is on this -to him- primative world. I couldn’t really get behind the fact that Thor manages to go from arrogance to humility in the space of a long weekend.

The romance with Natalie Portman’s Jane Foster feels really forced with very little chemistry between her and Hemsworth and the plot just takes too long to get back on track. Once he gets his powers back it gets a little more exciting but it had all but lost me by then.

As villains go, Loki worked really well here but there wasn’t really enough of him. I could see that it was supposed to be a brotherly conflict but the plot didn’t focus on this enough. On a personal note I didn’t like the loss of Thor’s secret identity from the comics. It’s something that could have made the Earth segment of the film work a bit better for me.

Iron Man 2

A sequel that should have been great turns out to be oddly disjointed in its execution. Too many subplots and an absence of a strong main plot prevent this film from living up to its obvious potential.

There was scope for a memorable villain in Mickey Rourke’s Ivan Vanko but he was largely sidelined by a narrative that was more focused on setting up the upcoming Avengers movie. The idea that Vanko was the other side of the coin for Tony Stark was an interesting one and there were shades of a stronger antagonistic relationship in there but their lack of shared screen time didn’t let this resonate in the way it was supposed to.

Tony Stark’s self destructive nature following the knowledge that he’s dying acts as an adaptation of the famous “Demon in a Bottle” arc from the comics but fails to grab attention in the same way. It all plays out as a succession of missed opportunities really

Guardians of the Galaxy

Marvel’s attempt to try something crazy and different was a slam dunk with audiences and critics alike. The commitment to making a rousing space adventure is fully evident on the screen and brings a cast of colourful characters to life in a really fun and exciting way. Who could have predicted that a sentient tree and a talking raccoon like alien would prove to be among the most memorable characters of the year.

While I appreciated the characters and storytelling I had my problems with the overall tone. It was presented in a more comedic light but the comedy wasn’t really to my tastes so I found myself having difficulties with the frequency of the jokes throughout the film. One or two worked for me but on the whole I couldn’t connect to it. I do realise that it’s a very personal reaction but that’s why this is my list.

All of the characters are well cast with Chris Pratt really stealing the show as the reluctant hero Peter Quill/Starlord. Zoe Saldana capably adds one more franchise to her collection as the green skinned Gamora. Dave Bautista brings impressive physicality to the role of Drax and the voice talents of Bradley Cooper as Rocket and Vin Diesel as Groot help bring these colourful characters to life.

As with most Marvel films the villains are heavily underdeveloped. Lee Pace’s Ronan the Accuser has some really shaky motivations and never really feels like a significant threat. Karen Gillan’s Nebula fares a little better but suffers from a severe lack of screen time. Marvel really need to sort their villains out.

The film does set the cosmic stage very well and gives a little more information on future big bad Thanos. Once the Marvel Cinematic Universe really starts dealing with the cosmic implications of everything they do it should be really compelling stuff. Let’s not forget that it has a really killer soundtrack.

Thor: The Dark World

Thor’s second solo outing is a vast improvement on the first. This film is probably pretty close to what you get if you mix Lord of the Rings with Star Wars. Game of Thrones director Alan Taylor was the perfect choice to bring this blend of fantasy/sci-fi to life in a visually compelling way. There are a couple of standout sequences involving large scale assaults and one on one battles.

I’ve always thought that Thor was a fairly silly character and this film fully embraces it with a reliance on the more comedic aspects of his character. Unlike Guardians of the Galaxy a lot of the jokes really worked for me and I had a good time with the overall silliness of the film.

Perversely the real star of this film is Loki who completely steals the show as ever. Tom Hiddleston reaches new levels of menace in his performance and as ever keeps Loki an intensely likeable character despite his propensity for domination. He definitely blows Christopher Eccleston’s thinly written Malekith the Accursed out of the water.

Of all the second phase Marvel movies this one probably feels the most disposable. There’s evidence of a longer cut within the narrative with alluded to subplots that appear and disappear quickly. It works pretty well as a standalone romp but in terms of depth and significance it’s somewhat lacking. Thor’s romance with Natalie Foster’s Jane Foster still feels a bit limp and the Earthbound characters are all pretty insufferable. It’s enjoyable while it lasts but pretty forgettable.

Guardians of the Galaxy Vol. 2

The second Guardians of the Galaxy film is an improvement on the first one as far as I’m concerned. I realise this is a minority opinion but the things that annoy me about the first one annoy me far less here.

As with the first one I enjoy the characters and really like how they develop here. The film has a strong theme with the idea of family explored in different ways throughout. The focus is on Peter Quill’s relationship with his newfound father Ego (Kurt Russell) but this feeds into the other characters as they explore their own familial connections whether the be by blood or by choice the question of “what makes up a family?” is constantly asked and answered in satisfying ways.

Ego makes for a really good antagonist who challenges the characters in really creative ways and allows for impressively psychedelic action sequences thanks to his unique power set. The film has a great soundtrack expanding on the first film’s collection of songs nicely and the cosmic side of the Marvel Cinematic Universe is expanded in both large and subtle ways. The introduction of Baby Groot lives up to the hype in terms of how he’s used and never gets to the point where he feels like an overly irritating addition only designed to sell toys.

The film does have its problems with scenes that don’t feel connected to one another and pacing that leave a lot to be desired but I think the story excels where it counts and furthers the characters in ways that really interest me. You can hear me and others talk more about this in this podcast.

Captain America: The First Avenger

Captain America’s first outing is pretty solid all round. If you consider the mandate that was probably given to screenwriters Christopher Markus and Stephen McFeely before writing this film it’s amazing that it turned out watchable. It can’t be easy to be given the job of a single film that needs to tell Captain America’s origin while showing his career in World War II and end with him being thawed out in the present day in preparation for his appearance in The Avengers.

One thing this film absolutely nails is the character of Steve Rogers. Cap’s inspiring determination is firmly on display and his integrity and morality are at the root of everything he does and says. His beliefs come across sincerely and his innate goodness never seems to be corny. Chris Evans definitely imbues him with a strong sense of humanity.

Evans’ supporting cast are no slouch either. Tommy Lee Jones as a sarcastic Colonel is always fun and Hayley Atwell’s strong willed Peggy Carter is a delight to watch. I’m glad she managed to get her own sequel TV series.  The limited use of the Howling Commandos with notable roles played by Sebastian Stan and Neal McDonough was pretty great as well.

The film covers a lot of ground and as such it manages to sag in the middle quite a bit. There are at least 3 montages showing Cap’s progress throughout the war so it starts to feel a bit like a clip show after a while. Hugo Weaving’s Red Skull was good while he lasted but there wasn’t enough of him and there was no real sense of him being an effective foil for Cap. I think Cap really needed 2 films prior to his appearance in The Avengers. There’s definitely enough here to keep interest but there was a lot of ground that there wasn’t time to cover.

The Incredible Hulk

The often forgotten addition to the Marvel Cinematic Universe remains one of the best outings. After Ang Lee’s ill conceived Hulk in 2003 the Hulk had to be rebuilt from the ground up and taken in a completely different direction. It was a film that was retooled into an addition to this universe a little later on so it really does function as a self contained story.

Edward Norton does a really good job as Bruce Banner. He plays him as being really strung out and constantly in fear of what he’s capable of when he changes. If you couple this with the stress of constantly looking over his shoulder then it adds up to a good recipe for a Hulk story.

Taking some cues from the famous Bill Bixby/Lou Ferrigno TV series Bruce Banner is on the run and drifting from place to place. There’s lots of emphasis on his attempts to control his anger and keep the Hulk buried inside his subconscious. Naturally the military being constantly on his ass doesn’t make this easy and there are some really impressive Hulk sequences.

Liv Tyler is really dull as far as love interests go and seems to only exist to tick that box. She has very little chemistry with Norton which makes their scenes look somewhat awkward. William Hurt as her father and obsessed General “Thunderbolt” Ross is incredibly memorable.

It’s a shame that this film gets so easily forgotten as it has the best cinematic villain since Loki in Tim Roth’s Emil Blonsky/The Abomination. He’s an aging soldier who is desperately trying to hold onto his combat days as that’s what he enjoys the most. Age is getting the better of him and he takes any opportunity to improve himself. His obsession leads him to become The Abomination and puts him on an even footing with the Hulk in combat. The resulting titanic brawl is amazing to watch. This is definitely one of the stronger entries in the canon overall.

Ant-Man

Ant-Man is a film that by all accounts shouldn’t have worked after a myriad of production issues making it doubtful that anything watchable would materialise. The end result is a really strong entry into the Marvel Cinematic Universe with strong characters, creative action and really well executed comedy.

Paul Rudd is really endearing as Scott Lang. He’s the Marvel Cinematic Universe equivalent of an everyman with very clear goals and a background that makes him sympathetic. Rudd’s natural comic timing helps sell the admittedly ridiculous concept of a size changing superhero who can talk to Ants. The film doesn’t take itself too seriously but takes itself seriously enough to not descend into farce so it tows the line really well.

Ant-Man also boasts an excellent supporting cast with Michael Douglas bringing the original Ant-Man Hank Pym to life and Evangeline Lilly impressing in a role that will become more significant in later films. The father/daughter dynamic between them works really well as both a mirror for Scott’s relationship with his own daughter and a compelling relationship in its own right. Michael Pena is also really memorable in a comedic role that never wears out its welcome.

As with most Marvel films the villain is more than a little lacking but the action set pieces are really memorable. In general the film uses size well as an idea to create either humour or tension and the action sequences further that clever usage by creating summer blockbuster level distruction on a really small scale using little more than perspective. All in all it’s a really fun film that holds up to repeat viewings.

Spider-Man: Homecoming

Marvel takes a gamble on the third time being the charm with the third reboot of Spider-Man in less than 20 years. This time he comes courtesy of a shared custody arrangement between Sony and Marvel which allows him to join the rapidly expanding Marvel Cinematic roster.

This film takes Peter Parker back to high school to deal with all the problems that come with it and very much makes that the story. For the most part the struggles feel more low key and personal than many of the other Marvel movies. It also boasts one of the best villains any of these films have had in the form of Michael Keaton’s Adrian Toomes aka the Vulture. Keaton’s performance together with relatable motivations that make him sympathetic. There’s one key scene in the film that sums up the threat level he represents to Peter Parker and Michael Keaton’s performance is nothing short of incredible in that moment.

Tom Holland is great casting. For one thing he actually looks like a teenager but he also imbues Peter Parker with great intelligence and wisdom far beyond his years. His best friend Ned (Jacob Batalon) makes for a great supporting character and gives the film an extra dose of extra comic relief. Zendaya is great in her role and Laura Harrier’s Liz often rises above standard love interest territory.

Spider-Man: Homecoming has a different approach to action sequences than other films featuring this character. It’s definitely the right move and there’s a lot of emphasis on his inexperience mixed with his eagerness. Using Tony Stark as a mentor figure helps as a reminder of how Peter shouldn’t rush things and his drive to prove himself informs a lot of the decisions he makes both in and out of the action sequences. It feels like a fresh take on an overly familiar character and the film itself is a great addition to the Marvel Cinematic Universe. More discussion can be found in this podcast.

Doctor Strange

Doctor Strange introduces magic to the Marvel Cinematic Universe and spends a bulk of the running time exploring the rules as well as the implications of it. It’s another origin story but done slightly differently as it opens up a new world of possibilities to be explored across the share universe.

It is my opinion that Benedict Cumberbatch is a safe choice to play Stephen Strange and he proves that with his performance. Outside of a dodgy American accent he engages with the material really well and sells the journey from arrogance to a deeper spirituality. This film suffers from a redundant love interest with Rachel McAdams’ Christine, another underwhelming villain in Mads Mikkelson’s Kaecilius and some predictable plotting here and there but makes up for it with standout characters like Benedict Wong’s Wong , Chiwetel Ejiofor’s Mordo and Tilda Swinton’s The Ancient one.

Visually this film is the most creative the Marvel Cinematic Universe has to offer. The Mirror Dimension brings us a number of amazing sequences and the collection of spells are constantly impressive to look at. Doctor Strange is also noteworthy for a climax that bucks the trend of city destroying high stakes action in favour for something a little more abstract that makes use of the lead character’s intelligence. I participate in a discussion of the film in this podcast.

Iron Man

The film that started it all is still one of the best. Robert Downey Jr’s note perfect portrayal of Tony Stark never stops being fun to watch and the way he inhabits this character is akin to Hugh Jackman’s signature portrayal of Wolverine.  Downey Jr has the perfect mix of genius arrogance, sass and eventually humility to make Tony Stark feel like a real and fleshed out character immediately.

His supporting cast are impressive as well with Gwyneth Paltrow’s Pepper Potts providing an effective foil for Stark’s childlike antics. Jeff Bridges’ Obadiah Stane is a good character too but his descent into villainy feels a little too rushed at the end. He’s still really entertaining to watch though.

Terrence Howard’s James Rhodes represents the weak link in the supporting cast for me. Howard never worked for me as this character. It might have been something to do with how he was written but something about him never quite clicked. He is replaced by Don Cheadle in the sequels and he’s a much better choice in my opinion.

The story works really well from the realisation of the pain that his weapons cause all the way through to his altered life purpose focusing on helping people rather than building things that kill them. Much of the film is spent developing his Iron Man technology. His initial efforts in the cave as he plans his escape are really entertaining and the refining of the technology scenes in his Malibu home are a lot of fun. I always get a kick out of seeing him underestimating his own tech and getting hurt as a result. Almost everything in this film just clicks together and it’s an absolute blast.

Avengers: Age of Ultron

It’s generally accepted that this isn’t as good as the first one and that’s an opinion I also share but that doesn’t alter the fact that it is a lot of fun and one of the strongest entries in the universe.

Much of the appeal comes from seeing everyone brought together once again and allowing these relationships to progress in different ways. Jeremy Renner’s Clint Barton aka Hawkeye is given much needed development after being underserved in the first film and a sequence early in the film where the Avengers celebrate in an extended party ending with them taking turns trying to lift Thor’s hammer is a franchise highlight.

James Spader’s Ultron is an engaging villain with plenty of menace thanks to Spader’s voice though it’s a shame that his endgame allows the Avengers to fight a legion of expendable Ultron copies. As entertaining as that is it does feel a little derivative. Newcomers to the cast take the form of Elizabeth Olsen’s Wanda Maximoff aka Scarlet Witch, Aaron Taylor-Johnson’s Pietro Maximoff aka Quicksilver and Paul Bettany’s vision. Wanda is the strongest of the new additions who is interesting in her own right where her twin brother Pietro is only compelling in the context of his relationship to her. Vision is a good idea but arrives too late in the story to be developed properly.

Part of the problem with this film is that the novelty has worn off after the first movie that brings these characters together. Perhaps this could have been prevented if Joss Whedon had delivered a climax that didn’t feel like a bigger version of the climax in the first film. There are also a number of subplots that don’t feel all that necessary and only really get in the way. Despite all that it’s still a very good time and does some really impressive things.

Captain America: Civil War

People love to see superheroes fight each other but finding an excuse for them to do so can often be a challenge. Captain America: Civil War presents Steve Rogers and Tony Stark with an issue they take opposite sides on and builds to the point that they come to blows.

Ultimately they fight over something different that is more personal to each of them and the whole thing becomes overcomplicated which is one of the film’s biggest problems. It tries to be profound and doesn’t quite hit the mark though there is a lot of interesting character beats carried wonderfully by the cast.

Daniel Bruhl’s Zemo is a well acted villain but his plan is another ludicrously complicated series of events that would mean he has to have the ability to predict the future to make it all work. Coincidence often defines his success which drags the story down somewhat. At least his motivations are understandable and he is sympathetic in a lot of ways but he’s largely unnecessary.

The promised confrontation is an immense piece of spectacle with a lot of fan favourite moments taking pretty much every opportunity afforded by having these characters fight one another. This film also gives us the first appearance of Tom Holland’s Spider-Man and the introduction of Chadwick Boseman’s T’Challa aka Black Panther so it accomplishes the task of expanding the Marvel Cinematic Universe with enough content to fit this film and tease the audience for upcoming solo films. An extended discussion involving me can be found here.

Black Panther

Hands down one of the finest Marvel Cinematic Universe entries. It’s the final stop before Avengers: Infinity War but you wouldn’t think it is when you watch it as it’s a self contained story focused on a particular character and the world he inhabits.

Wakanda is visually incredible as well as feeling like a real place with its own culture and history. T’Challa’s arc is very much tied to his home and mistakes made by his father as he learns how to be an effective leader. Chadwick Boseman conducts himself with regal authority but also delivers plenty of depth especially when it comes to his relationship with his tech genius sister Shuri (Letitia Wright). Other characters such as Danaii Gurira’s Okoye are great in their own right and the film excels in having characters raise points that all feel well thought out based on who they are.

Michael B. Jordan’s Killmonger is a great villain who definitely has a point that can easily be understood. The story taken from his point of view could have made him the Hero of it, or at least a victim and his point of view has lasting effects on both T’Challa and the Wakandan culture so his presence is a significant one. It does feel like there is a chunk of story missing once Killmonger’s plan takes effect and the climactic action sequence has a lot of moving parts but there’s no denying that the film is confident in its approach to contemporary social issues and solidifies itself as an important landmark in cinematic history as a whole. It deserves every penny it makes and then some. There was a podcast about this one that can be found here.

Thor: Ragnarok

Put simply this film is a blast from start to finish. Taik Waititi and his assembled team finally deliver an approach to Thor that most of the audience can agree is great. It’s funny, colourful, immensely entertaining and has a great soundtrack.

Chris Hemsworth gets to stretch his comedic legs and make Thor the funniest he has ever been. Hemsworth has near perfect comic timing and manages to carry pretty much every scene he’s in no matter who he shares it with. Tom Hiddleston’s Loki is as entertaining as ever and takes full advantage of his effortless chemistry with Chris Hemsworth. Mark Ruffalo’s Bruce Banner/Hulk makes for a fun addition and finally lets the Hulk talk so that impresses me as a fan. Tessa Thompson’s Valkyrie is a notable new character who never fails to entertain and will hopefully help populate this universe for a long time to come. Not to mention the fact that Jeff Goldblum in this film which is greatness that more than speaks for itself. Taika Waititi’s Korg is also an endless source of entertainment.

Hela’s a well acted villain and her history with both Odin and Asgard helps make an interesting point about colonialism but Cate Blanchett brings more to the character than is in the script. The same can be said for Karl Urban’s Scourge who definitely has an intriguing enough internal conflict but the film doesn’t spend enough time on it.

Thor: Ragnarok has great action often set to an excellent soundtrack and delivers the Thor/Hulk brawl that we’ve all been waiting for. The colourful bridge battle towards the end is also visually impressive and an early sequence involving Thor fighting fire demons is great as well. There are other more understated sequences that lean into the comedy such as an entertaining yet potentially pointless Doctor Strange cameo. In short this film is such a great time and deserves to be near the top of the list. If you want to hear me gush more about this film then click here.

Captain America: The Winter Soldier

Captain America’s second outing is nothing short of amazing. Adapting the famous “Winter Soldier” arc into a feature film was an inspired choice and having Cap work for S.H.I.E.L.D. made a lot of sense given how isolated his character is in this time period.

As with the first film the character of Steve Rogers is absolutely nailed in both writing and performance. Chris Evans plays Cap as deeply principled and fully committed to his morality. Having him work for a spy organisation that employs questionable tactics gives plenty of opportunities for his morality to be tested. The fact that he sticks to that morality and refuses to compromise says everything about the commitment to have this character be as close to his comic book counterpart as humanly possible.

Cap is a difficult character to adapt to the modern era because his old fashioned nature could come across as cheesy but it never does. Chris Evans manages to keep an air of sincerity about the character and the dialogue never really becomes corny. The story does everything it can to prove that Cap’s old fashioned morality can be applied to a modern setting and still work. In effect the character functions as something of a reverse virus that weeds out corruption and inspires others to be the best version of themselves.

Scarlett Johannson’s Natasha Romanoff/Black Widow returns from The Avengers and backs Cap up throughout the film. She is someone with a more flexible morality and comes out being somewhat inspired by Cap’s stubborn adherence to his principles. Scarlett Johansson acts as something of a secondary protagonist who is as much a part of the plot as Cap is and their pairing works really well.

Anthony Mackie’s Sam Wilson/Falcon was a great addition to the Marvel Cinematic Universe. He and Cap have an instant connection and a genuine friendship that is always great to watch. Anthony Mackie does a great job of the role and is a welcome addition to this franchise.

Robert Redford serves as the main villain of the story and he’s as good as he always is. His motivations are clear and he absolutely comes across as a credible threat. He hides behind the bureaucracy of S.H.I.E.L.D. and is fiercely committed to what he plans to do.

Sebastian Stan’s stint as the Winter Soldier is fairly uncomplicated in terms of characterisation but there’s a sense of something deeper going on there. Most of his character is reflected in Cap who has to deal with the fact that he has to fight his best friend after making peace with the fact that he was lost. It gives Cap high personal stakes and makes the conflict all the more engaging. Beyond that there are some really sweet visuals in the end action sequence.

I could go on about how great it is all day but I think I’ve said enough. I love this film and it manages to do my favourite Avenger justice.

The Avengers or Avengers Assemble

This one beats the previous film but not by much. It’s incredibly close but this one takes the gold medal by mere inches. It does so because it’s just so much fun and a really incredible accomplishment when you really think about it.

The Avengers is the end result of a massive undertaking that started with Iron Man and builds up through the films that follow. Every one of the previous films added a little something to the tapestry that would all pay off here.

This film brings together the characters of Captain America, Iron Man, Thor and the Hulk with Samuel L. Jackson’s Nick Fury sitting in the middle trying to get this all to work. Black Widow and Jeremy Renner’s Hawkeye also join the team.

As a concept it had so much potential to fall over but Nerd God Joss Whedon manages to keep it on point with style and panache. There’s a definite sense of love for the material in every scene and the whole thing is just a blast from start to finish.

The story is well constructed with every character -with the exception of Hawkeye- being given ample time to shine. They all interact in a really entertaining way be it the infighting that frequently happens or the friendships that start to form. Robert Downey Jr’s Tony Stark and new Bruce Banner Mark Ruffalo have some of the best scenes as the team eggheads who form a fast friendship on the foundation of the crosses they each have to bear.

Mark Ruffalo is a welcome addition to the cast and absolutely nails Bruce Banner. He bears no resemblance to the Edward Norton version of the character despite the fact that they are the same person. Whedon clearly wrote the character from scratch and made no attempt to invite comparison. It works perfectly and Ruffalo really makes the role his own.

Joss Whedon’s smart script manages to be funny when it needs to be, moving when the occasion calls for it and incredibly well paced throughout. The excitement of this event is never downplayed and the volatility of this group of characters coming together forms the basis for the entire film.

Loki serves as the central antagonist of the film and he is the perfect choice. Tom Hiddleston has great chemistry with every member of the cast as they all line up to have their dressing down by the mischievous God. He does become a sort of mid point of the weird recent trend of villains being captured as part of their plan but the parts of the film involving him in captivity proved to be some of the most memorable. His scene with Black Widow is especially clever.

The action is absolutely top notch on every count. Be it Iron Man’s forest fight with Thor or Cap and Iron Man’s attempts to repair the failing helicarrier engine there’s plenty of variety here. There’s also lots of fan service such as the Hulk trying to lift Thor’s hammer or Cap breaking up the fight between Thor and Iron Man because there are more important things to focus on.

Seeing the Avengers come together to defend New York in the action packed climax isn’t something I’ll soon forget. I still get goosebumps when Banner willingly Hulks Out to wail on a massive alien creature. It’s definitely an exciting fist pounding moment that cements this film as sheer unapologetic fan service. Other moments like the Hulk sucker punching Thor or the Hulk rag-dolling Loki never cease to be funny.

This whole film is basically one big celebration of its own existence and why shouldn’t it be? It’s something that ran the risk of being a massive failure but instead became a massive critical success and one of the highest grossing films of all time. It’s just non stop entertainment and I never get tired of watching it.

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Closing Thoughts

So there we have it, my list of the Marvel films from worst to best. Of course this is only my opinion and lots of people will disagree with me. That is absolutely fine and feel free to let me know your thoughts on twitter or in the comments.

I have watched this universe continue to grow in ways that continually surprise me. When The Avengers came out I would tell people that Civil War is a story that would never be adapted and I’m happy to be proven wrong in that regard. Living in a world where introducing Spider-Man to this universe is a thing that happened is something I’m continually grateful for and I’m excited to see what else can be accomplished in the coming years.

Marvel Studios is a juggernaut that shows no sign of slowing down any time soon. They have successfully adapted Black Panther and Captain Marvel is finally on its way with a setup that really interests me.

It truly is an exciting time to be a Marvel Comics fan with more great films sure to follow in the next few years. The release of Avengers: Infinty War is soon to be upon us so let’s hope the well documented culmination of a ten year plan can be as satisfying as the production team continually promises.

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