The Review at the End of the Universe
The Marvel Cinematic Universe continues with Anthony Mackie’s first cinematic outing in the role of Captain America and Kneel Before Pod restart the Avengers to discuss it. The conversation covers the current state of the MCU, getting political and justice for Sam Wilson.
February is over but the news continues. Kneel Before Pod brings you a discussion of the news and trailers from February 2025. The conversation covers controversial entertainers, originality and Smurf versions of popular songs.
Cold Wallet
Losing everything in a cryptocurrency scam prompts a group of people to go after the one responsible in Cutter Hodierne’s Cold Wallet.
Captain America: Brave New World
The new Captain America finds himself in the midst of a tense political situation in Julius Onah’s Captain America: Brave New World.
Superman & Lois comes to an end and with it an era of TV that spanned 23 years so Kneel Before Pod was both obligated and delighted to cover it to give it the send-off it deserves. The conversation covers emotional gut punches, consistency of thematic storytelling and the end of a golden TV era.
January is finally over and Kneel Before Pod brings you the first 2025 news round-up. We cover video game adaptations, more unnecessary continuations and failing horror franchises.
Recently Craig had the pleasure of chatting with actress Millan Tesfazgi; she plays Sasha in the trilogy of Mary J. Blige-inspired Lifetime films Real Love, Strength of a Woman and Family Affair. The discussion covers building rapports on and off camera, acting as a therapeutic emotional release and swimming for work.
Star Trek: Section 31
A group of morally dubious misfits embark on a top-secret mission to save the galaxy in Olatunde Osunsanmi’s Star Trek: Section 31.
Elevation
George Nolfi’s Elevation depicts a post-apocalyptic world where venturing below 8,000 opens people up to attack from vicious monsters.
I’ve Never Wanted Anyone More
A man meets the woman of his dreams only to discover that she’s engaged in José Avelino Gilles Corbett Lourenço’s I’ve Never Wanted Anyone More.
